WebEikhenbaum dealt with problems of structure, rhythm, and style in such studies as “How Gogol’s ‘Overcoat’ Was Made” (1919) and The Melody of Russian Lyric Verse (1922). These works are noticeably influenced by the principles and inconsistencies of the formal method in literary scholarship. Webcritics such as Shklovsky and Eikhenbaum, foregrounded the phenomenological quali-ties of the artwork using a critical method that was synchronic in nature, the second phase(1921Ð30) enhanced theinitialforays into aesthetic structure with disquisitions into the laws of literary evolution. The later studies focused onthe relationshipbetween
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WebQuote :"The Theory of the 'Formal Method'" Quote 3. The notion of form here acquires new meaning; it is no longer an envelope, but a complete thing, something concrete, dynamic, self-contained, and without a correlative of any kind. Here we made a decisive break with the Symbolist principle that some sort of content is to shine through the form. Webevaluation of the work purpose, intended audience, development of. f • A summary of the key reasons argument, structure of evidence or creative. identified during the critical style. evaluation, why this evaluation was. formed. • In some circumstances, recommendations for. improvement on the work may be. WebDec 11, 2024 · "How the Greatcoat is made"“ Gogol" - an article by literary critic Boris Eichenbaum, published in 1919 in the collection "Poetics". In it, Eichenbaum analyzes … dr jason hanna fort wayne